With this gorgeous Khaki Navy Scuba Automatic (ref. H82305931,) Hamilton not simply expands its line of diving companions. It finally offers a model that is not just “different” from the rest of the crowd, but -unlike their last year’s Navy Frogman- can actually be worn by a casual person without attracting weird glances from persons who “just don’t get it.”
The 2016 limited-edition Frederique Constant Peking to Paris (ref. FC-303WBRP5B6) may not be revolutionary or groundbreaking in any meaning of the words, but it is still an interesting (albeit a tad overpriced) timekeeper for a person interested in a nice three-hander with a just a grain of sportiness to it. While the “limited edition” part may be a bit gimmicky (in a sense that you can’t seriously expect a piece limited to almost 2900 units to become a rarity in any foreseeable future,) all the rest is legit: it is an expertly designed, solidly built piece that is powered by a robust mechanism.
War never changes. Watches, however, do. It is nice when reputable brands introduce all sorts of homages to the legendary WWII-time models that were issued for armies and navies of all parties involved. For obvious reasons, this 2015 Longines Heritage Military COSD (ref. L2.832.4.53/73.x) can’t be called a “reissue”. However, it is still a nice choice for a person who wants to buy a military-style timekeeper that doesn’t look like it came straight from the Call of Duty: Black Ops. This one was designed with a gentleman in mind.
Once a maker of all sorts of “homages”, Christopher Ward puts a lot of effort into becoming a serious brand. This new, dressy Chr. Ward C9 Moonphase is a step in the right direction for the relatively young watchmaker.
The iconic TAG Heuer Aquaracer family finally gets a handful of new members that have their stainless steel bezels replaced with ceramic ones. Available in black and blue, with plain or blacked-out steel bodies, and featuring a nice choice of available straps, they are still relatively affordable if you take into account a nice combination of attractive styling, reliability and a bullet-proof automatic movement to finish the picture.
The 2015 Fortis Terrestis Hedonist delivers a winning combination of elegant styling, and robust movement offered at a fairly affordable price. This can be the watch of choice for a person who always thought about adding a Fortis to his collection but wasn’t ready to get himself an “aviator” because of their massive cases, cluttered dials, and, often, just way too many colors for them to look good with business attire. Now, you finally have no excuses to backpedal on this purchase, have you?
First revealed at the Baselworld 2015 trade show, the 2015 Oris Divers Sixty-Five (ref. 01 733 7747 4055-07 4 17 18) automatic diver pays homage to a classic model from 1965. Although it is absolutely not a true reissue (even the choice of the movement makes it a different model), the Sixty-Five makes a strong impression and will be a wonderful choice for a person who wants to buy something “vintage”, but with brand new guts to power it.
If Tudor wants to get rid of its image of a ‘poor man’s Rolex’, this new flagship North Flag model is a step in the right direction. At least, the combination of an in-house mechanism, a cleverly designed case, an elegantly simple dial, and the famous Tudor Rose right below the Arabic numeral “12” make a strong impression. Whatever the next model be, the brand doesn’t plan to dwell on its past forever.
Known for its love for music (among others, their limited editions include homages to such legends as Frank Sinatra, John Coltrane, and Dexter Gordon) Oris has recently introduced its limited edition Thelonious Monk (ref. 733 7712 4085). Although in certain respects this new model may look unfamiliar to a person who usually associates the brand with their gorgeous chronographs and bulky divers, it is, in fact, deeply rooted into the manufacture’s philosophy of industrial design. As the legendary sculptor of the past, they took a piece of metal and removed everything that didn’t belong there leaving only the essential elements that make an ordinary accessory a masterpiece.